“The Teddy-bear exists in order that the child may endow it with imaginary life and personality and enter into a quasi-social relationship with it. That is what ‘playing with it’ means. The better this activity succeeds the less the actual appearance of the object will matter. Too close or prolonged attention to its changeless and expressionless face impedes the play. A crucifix exists in order to direct the worshipper’s thought and affections to the Passion. It had better not have any excellencies, subtleties, or originalities which will fix attention upon itself. Hence devout people may, for this purpose, prefer the crudest and emptiest icon. The emptier, the more permeable; and they want, as it were, to pass through the material image and go beyond.”
—C. S. Lewis, “How the Few and the Many Use Pictures and Music” in An Experiment in Criticism (Cambridge 1961), 17—18.