Humble orthodoxy in the visual age

This week I have been positing several pictures I created as a college ministry leader on the campus of the University of Nebraska-Omaha. These cards were printed as 4×6 photographs and created to introduce college students to writers of the past. From the response, they were well received.

The challenge in a visually based society is to present messages that include well-done visual elements. As you can see, being visually appealing does not mean compromise to the message of the Gospel and the urgent pleadings with sinners to be reconciled. Quite the opposite! Biblical churches would benefit from thinking of preaching and pastoral ministry within the visual framework.

And I’m not talking about merely running some general landscape nature pictures behind text. Think about what picture captures the message. Think visually. What can I show them that reinforces what I am trying to tell them?

And so to close out the week, here is a graphic design I created for a series on worldliness, sexual sin, intellectual pride and laziness. I called it Spiritual Biohazards of the College Life. It was created on PhotoShop Elements 2.0, an inexpensive graphic arts program, using three free images from the web.

Keep pressing on! – Tony

tsr

Preaching with freshness

“My soul – never be satisfied within a shadowy Christ. … I cannot know Christ through another person’s brains. I cannot love him with another man’s heart, and I cannot see him with another man’s eyes. … I am so afraid of living in a second-hand religion. God forbid that I should get a biographical experience. Lord save us from having borrowed communion. No, I must know him myself. O God, let me not be deceived in this. I must know him without fancy or proxy; I must know him on my own account.”

This quote from Charles Spurgeon is a reminder that we must know and press close to Christ ourselves. Some of the darkest periods of church history, where the shroud of monotony covered the pulpit came at a time when preachers lived off a second-hand, borrowed communion.

Anyways, during the Middle Ages, the deadness of the churches can certainly be tied to a failed pulpit. Most noticeable was a failure of preachers to stand for God’s Word with conviction and freshness enforced with genuine godliness of character. We are reminded of the impotence of the church when God’s preachers do not preach from the freshness of personal communion with Himself but rather simply copy and regurgitate what was given by others. The result is borrowed communion and dead preaching:

“We have already had occasion to speak of the low character of the clergy during this epoch [the medieval period leading up to the Reformation]. Much ignorance, immorality, luxury and ambition [or a desire for rank], laziness, avarice, and other evil things have to be charged to their account. And this of course was at once both the cause and evidence of decay in the pulpit. For in all times the character of the preacher either enforces or enfeebles his preaching. And where the average of character is bad, no matter how noble the exceptions may be, the average of preaching will necessarily be low. Where there is a lack of true piety and conviction in the preacher the pulpit work tends to become empty, formal, frigid and without moving effect. And this is the character of much of the preaching of that age.”

“Always one of the signs of degenerate preaching – as of any literary production – is a slavish dependence upon others, past or present, a want of independence, originality, freshness. Copyists and imitators are found in every age, it is true, but when the masters belong chiefly to a former generation and the small followers mostly abound, the fall is great.”

– Edwin Charles Dargan, A History of Preaching (Solid Ground: 1905/2003), 1:308.

The preaching of Jonathan Edwards

I purchased my copy of Marsden’s biography Jonathan Edwards: A Life at CLC this Spring (two days after visiting Edwards’ grave in Princeton). It has become one of my favorite biographies just behind Dallimore’s George Whitefield. Edwards had a powerful preaching style stemming from his intellectual gifts and seriousness with divine things.

“Although Edwards had none of the dramatic gestures of a Whitefield or a Tennent and was said to preach as though he were staring at the bell-rope in the back of the meetinghouse, he could be remarkably compelling. An admirer described his delivery as ‘easy, natural and very solemn. He had not a strong, loud voice; but appeared with such gravity and solemnity, and spake with such distinctness, clearness and precision; his words were so full of ideas, set in such a plain and striking light, that few speakers have been so able to demand the attention of an audience as he.’ Through sheer intensity he generated emotion. ‘His words often discovered a great degree of inward fervor, without much noise or external emotion, and fell with great weight on the minds of his hearers. He made but little motion of his head or hands in his desk, but spake so as to discover the motion of his own heart, which tended in the most natural and effectual manner to move and affect others.’ The combination of controlled but transparent emotion, heartfelt sincerity both in admonition and compassion, inexorable logic, and biblical themes could draw people into sensing the reality of ideas long familiar.”

– George M. Marsden, Jonathan Edwards: A Life (Yale: 2003) p. 220

Isaiah and cultivating imagination

“The most eloquent of all the prophets, the one from whom most can be learned as to preaching, is obviously Isaiah. Isaiah was the very opposite of Amos, the shepherd and gardener. He lived at court during several reigns, and in that of Hezekiah was high in influence. He was a highly educated man, a man of refined taste, and singular literary power and skill. He enjoyed in the best sense of that now often misused term, the advantage of Culture, with all its light and its sweetness. His writings, like all the other inspired books, take their literary character from the natural endowments, educational advantages, and social condition, of the man. They exhibit an imperial imagination, controlled by a disciplined intellect and by good taste. This imagination shows itself in vivid and rapid description, as well as in imagery. The careful and loving study of Isaiah has educated many a preacher’s imagination to an extent of which he was by no means conscious, and few things are so important to an orator as the real cultivation of imagination. True, the book of Isaiah presents the poetic more often than then strictly oratorical use of this faculty. But the two shade into each other; and we also, when we become greatly excited, and our hearers with us, do naturally use in speaking such imaginative conceptions and expressions as generally belonging only to poetry.”

“In part 1 of the book of Isaiah the oratorical element very distinctly predominates – it is direct address, aiming at practical results in those who hear. Sometimes the style even sinks into quiet narrative, but more often it rises into passionate appeal. And in part 2 (from the 40th chapter on), the orator is lost in the poet. The prophet’s soul is completely carried away by imagination and passion, till we have no longer an inspired orator directly addressing us, but a rapt seer, bursting into song, pouring fourth in rhythmical strains his inspired and impassioned predictions. He is like the angel that appeared to the shepherds, whose message soon passed into song. Besides the yet higher blessings which have come to the world from the devotional and practical, the predictive and theological contents of this grand prophet’s writings, who can estimate how much he has done in training servants of God for the highest and truest forms of all religious eloquence!”

– John Broadus, Lectures on the History of Preaching (Solid Ground: 1907/2004) pp. 14-16