New Year

As read by Max McLean:

O Lord,
Length of days does not profit me except the days are passed
in thy presence,
in thy service,
to thy glory.

Give me a grace that
precedes,
follows,
guides,
sustains,
sanctifies,
aids every hour,
that I may not be one moment apart from thee,
but may rely on thy Spirit
to supply every thought,
speak in every word,
direct every step,
prosper every work,
build up every mote of faith,
and give me a desire
to show forth thy praise,
testify thy love,
advance thy kingdom.

I launch my bark on the unknown waters of this year,
with thee, O Father, as my harbour,
thee, O Son, at my helm,
thee, O Holy Spirit, filling my sails.

Guide me to heaven with my loins girt,
my lamp burning,
my ear open to thy calls,
my heart full of love,
my soul free.

Give me thy grace to sanctify me,
thy comforts to cheer,
thy wisdom to teach,
thy right hand to guide,
thy counsel to instruct,
thy law to judge,
thy presence to stabilize.

May thy fear be my awe,
thy triumphs my joy.

Valley of Vision (Banner of Truth) p. 112.

Stick-ology

“As we pored over hundreds of sticky ideas, we saw, over and over, the same six principles at work.

PRINCIPLE 1: SIMPLICITY

How do we find the essential core of our ideas? A successful defense lawyer says, “If you argue ten points, even if each is a good point, when they get back to the jury room they won’t remember any.”  To strip an idea down to its core, we must be masters of exclusion. We must relentlessly prioritize. Saying something short is not the mission—sound bites are not the ideal. Proverbs are the ideal. We must create ideas that are both simple and profound. The Golden Rule is the ultimate model of simplicity: a one-sentence statement so profound that an individual could spend a lifetime learning to follow it.

PRINCIPLE 2: UNEXPECTEDNESS

How do we get our audience to pay attention to our ideas, and how do we maintain their interest when we need time to get the ideas across? We need to violate people’s expectations. We need to be counterintuitive. A bag of popcorn is as unhealthy as a whole day’s worth of fatty foods! We can use surprise—an emotion whose function is to increase alertness and cause focus—to grab people’s attention. But surprise doesn’t last. For our idea to endure, we must generate interest and curiosity. How do you keep students engaged during the forty-eighth history class of the year?  We can engage people’s curiosity over a long period of time by systematically “opening gaps” in their knowledge—and then filling those gaps.

PRINCIPLE 3: CONCRETENESS

How do we make our ideas clear? We must explain our ideas in terms of human actions, in terms of sensory information. This is where so much business communication goes awry. Mission statements, synergies, strategies, visions—they are often ambiguous to the point of being meaningless. Naturally sticky ideas are full of concrete images—ice-filled bathtubs, apples with razors—because our brains are wired to remember concrete data. In proverbs, abstract truths are often encoded in concrete language: “A bird in hand is worth two in the bush.” Speaking concretely is the only way to ensure that our idea will mean the same thing to everyone in our audience.

PRINCIPLE 4: CREDIBILITY

How do we make people believe our ideas? When the former surgeon general C. Everett Koop talks about a public-health issue, most people accept his ideas without skepticism. But in most day-to-day situations we don’t enjoy this authority. Sticky ideas have to carry their own credentials. We need ways to help people test our ideas for themselves—a “try before you buy” philosophy for the world of ideas. When we’re trying to build a case for something, most of us instinctively grasp for hard numbers. But in many cases this is exactly the wrong approach. In the sole U.S. presidential debate in 1980 between Ronald Reagan and Jimmy Carter, Reagan could have cited innumerable statistics demonstrating the sluggishness of the economy. Instead, he asked a simple question that allowed voters to test for themselves: “Before you vote, ask yourself if you are better off today than you were four years ago.”

PRINCIPLE 5: EMOTIONS

How do we get people to care about our ideas? We make them feel something. In the case of movie popcorn, we make them feel disgusted by its unhealthiness. The statistic “37 grams” doesn’t elicit any emotions. Research shows that people are more likely to make a charitable gift to a single needy individual than to an entire impoverished region. We are wired to feel things for people, not for abstractions. Sometimes the hard part is finding the right emotion to harness. For instance, it’s difficult to get teenagers to quit smoking by instilling in them a fear of the consequences, but it’s easier to get them to quit by tapping into their resentment of the duplicity of Big Tobacco.

PRINCIPLE 6: STORIES

How do we get people to act on our ideas? We tell stories. Firefighters naturally swap stories after every fire, and by doing so they multiply their experience; after years of hearing stories, they have a richer, more complete mental catalog of critical situations they might confront during a fire and when we encounter that situation in the physical environment. Similarly, hearing stories acts as a kind of mental flight simulator, preparing us to respond more quickly and effectively.

Those are the six principles of successful ideas.”

– Chip and Dan Heath, Made to Stick: Why Some Ideas Survive and Others Die (Random House, 2007).

Water

“…[I am reminded] of something I saw early one morning a few years ago, as I was walking up to the church. There was a young couple strolling along half a block ahead of me. The sun had come up brilliantly after a heavy rain, and the trees were glistening and very wet. On some impulse, plain exuberance, I suppose, the fellow jumped up and caught hold of a branch, and a storm of luminous water came pouring down on the two of them, and they laughed and took off running, the girl sweeping water off her hair and her dress as if she were a little bit disgusted, but she wasn’t. It was a beautiful thing to see, like something from a myth. I don’t know why I thought of that now, except perhaps because it is easy to believe in such moments that water was made primarily for blessing, and only secondarily for growing vegetables or doing the wash. I wish I had paid more attention to it.”

Marilynne Robinson, Gilead (2004).

Poem: “Zeph 3:17”

darkened playhouse
small church in worship
indie music on stage
percussion clanging
guitars sagging
praises sung

together
in the worshiping shadows
stands one white Midwest mom
with one dark Ethiopian infant son

now located in Nebraska cold
cradled softly in glad mother’s
outstretched arms
eyes filled with wonder looking up
to absorb his mother’s song

voice above him
assuring arms beneath
held in love
unfamiliar yet at peace
marveling to listen at the foreign song
of adopted love rejoicing