Easter and pop culture

From a favorite Slate Magazine article:

“…Despite the awesome theological implications (Christians believe that the infant lying in the manger is the son of God), the Christmas story is easily reduced to pablum. How pleasant it is in mid-December to open a Christmas card with a pretty picture of Mary and Joseph gazing beatifically at their son, with the shepherds and the angels beaming in delight. The Christmas story, with its friendly resonances of marriage, family, babies, animals, angels, and—thanks to the wise men—gifts, is eminently marketable to popular culture. It’s a Thomas Kinkade painting come to life.

On the other hand, a card bearing the image of a near-naked man being stripped, beaten, tortured, and nailed through his hands and feet onto a wooden crucifix is a markedly less pleasant piece of mail.

The Easter story is relentlessly disconcerting and, in a way, is the antithesis of the Christmas story. No matter how much you try to water down its particulars, Easter retains some of the shock it had for those who first participated in the events during the first century…”

James Martin from the article “Happy Crossmas! Why Easter stubbornly resists the commercialism that swallowed Christmas” in Slate Magazine (3/20/08).

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