Extravagant Beauty

From Marilynne Robinson’s Pulitzer winning novel, Gilead [(Picador, 2004), pages 245–246]. These are some of the concluding reflections of John Ames, an old pastor who serves as the novel’s narrator.

It has seemed to me sometimes as though the Lord breathes on this poor gray ember of Creation and it turns to radiance—for a moment or a year or the span of a life. And then it sinks back into itself again, and to look at it no one would know it had anything to do with fire, or light. That is what I said in the Pentecost sermon. I have reflected on that sermon, and there is some truth in it. But the Lord is more constant and far more extravagant than it seems to imply. Wherever you turn your eyes the world can shine like transfiguration. You don’t have to bring a thing to it except a little willingness to see. Only, who could have the courage to see it? …

There are two occasions when the sacred beauty of Creation becomes dazzlingly apparent, and they occur together. One is when we feel our mortal insufficiency to the world, and the other is when we feel the world’s mortal insufficiency to us. Augustine says the Lord loves each of us as an only child, and that has to be true. “He will wipe the tears from all faces.” It takes nothing from the loveliness of the verse to say that is exactly what will be required.

Theologians talk about prevenient grace that precedes grace itself and allows us to accept it. I think there must also be a prevenient courage that allows us to be brave—that is, to acknowledge that there is more beauty than our eyes can bear, that precious things have been put into our hands and to do nothing to honor them is to do great harm.

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