Calvin Miller, The Singer Trilogy (IVP, 1990), 86–91:
The wall of the great city reached upward till it defied all measurement of mind.
Outside the fortress, stretching up the slopes, a grove of trees bearded the great stone wall that had slept for centuries above the seasons of new leaf and naked frost.
Towers and minarets glinted in the sun-washed sky and caused the Singer apprehension as he leaned against a tree.
He watched the human commerce flowing through the rough-hewn gates. Never had he seen so many people hungry for a living song. They jostled shapelessly, a mass of urban sameness. Each hurried after urgent unattended business, yet none had any reason for the press.
The Singer sighed.
Sometimes a child would follow in the madding throng. Already it appeared the youngster tried to learn the routine, manufactured steps of older men he mimicked in the way.
Reluctant to adopt the business cadence of the empty throng, the Singer turned and sought a quiet place beneath the wall. He walked into the trees.
“Hello, Singer” said the voice he knew too well. “Welcome to the quiet of the grove. Does the senseless empty crowd offend you?”
The Singer’s only offense came in knowing that the World Hater always seemed to know what he was thinking.
“How did you manage to make them cherish all this nothingness?” he asked the World Hater.
“I simply make them feel embarrassed to admit that they are incomplete. A man would rather close his eyes than see himself as your Father-Spirit does. I teach them to exalt their emptiness and thus preserve the dignity of man.”
“They need the dignity of God.”
“You tell them that. I sell a cheaper product.”
They were deeper in the woods. They stopped in a shaded spot beneath the fortress wall.
A heavy set of chains hung from a great foundation stone that held the towering wall. Manacles hung bolted on the wrists of a burly, naked man.
He slept or seemed to.
Before him on the ground lay a heavy stoneware basin nearly filled with water and the dried remains of bread half-eaten.
“Is he mad?” the Singer asked.
“Senselessly,” the Hater answered.
“Who brings him bread and water?”
“To see him dance in madness without a tiny hope! Imagine my delight when he raves and screams in chains. Would you like for me to wake this animal?”
“He is a man. Earthmaker made him so. What is his name?”
“Why such a name?”
“Because within this sleeping hulk there are a thousand hating spirits from the Canyon of the Damned. They leap at him with sounds no ears but his can hear. They dive at him with screaming lights no other eyes can see. And in his torment he will hold his shaggy head and whimper. Then he rises and strains in fury against the chains to tear them from the wall. Stand back and see.”
The Hater took the silver pipe out of its sheath. The tune began — a choppy, weird progression of half tones.
The sleeping giant stirred and placed his massive hands upon his temples. In fever hot the Hater played and just as rapidly the Madman stumbled to his feet.
The Singer never had beheld so Great a man as he. Some unseen, unheard agony rippled through his bleeding soul. He growled, then screamed and tried to tear the chains that held him to the wall.
“Stop, Hater!” cried the Singer.
But the Hater played more loudly than before. At that precise and ugly moment, the pinion on the left gave way. The chain fell loose. Then with his one free hand the monster tore the other chain away. In but a second he stood unchained before them. The Hater took his pipe and fled into the trees. The Singer then began to sing and continued on until the Madman stood directly in his path. With love that knew no fear, the Singer caught his torment, wrapped it all in song and gave it back to him as peace.
And soon the two men held each other. In their long embrace of soul, the spirits cried and left. They stood at last alone.
“What year is it?” the giant asked with some perplexity.
“It is the year of the Troubadour,” the Singer said.